Darren:
One of the two songs about conflict in relationships. This track is a very personal snapshot of a real life argument and a play on linguistics and twisted meanings. The rhythm section of Terepie Richmond and Alex Hewitson take the track beyond its original Manchester feel and make it alive, grunting and believable.

The first track Daniel and I wrote and finished together was 'A Thousand Words'. And it was funny, I remember sitting in his front room and we said, 'let's... we're gonna do this, let's write some songs, whadda ya wanna do?' And I said, 'I've been working on this song', pulled out the chords to
'Right on Time' by ahh... that band, whatever that was, you know... really simple house song. And you know, I'm singing this different
melody over the top thinking I could fudge it, and Daniel said...'ahh... well, you know, we could go that way but a zillion bands have.
You know, what do you actually wanna do?' And we started talking about music and I was really into... 'Achtung Baby' by U2 at the
time and... I don't know, Daniel was a big fan of INXS and... Seal, I guess. But, he pulled out a chord progression which is the chord
progression of this song, and... I pulled out a like a Manchester kind of beat, to go over the top of it. And... it became... it's filled
the room, I remember thinking, 'wow, this is the most full... you know, piece of music I've ever heard in my life!' And when I look back now,
Daniel probably thought it was really simple, but for me, it was the most musical thing I'd ever seen or heard, and... lyrically it was about... a real
conflict that I've had with a... a friend of mine, and, it's someone I don't even speak to an...